Is Retrospectacle the best album by Thomas Dolby? BestEverAlbums.com brings together thousands of 'greatest ever album' charts and calculates an overall ranking. Find album reviews, stream songs, credits and award information for The Best of Thomas Dolby: Retrospectacle - Thomas Dolby on AllMusic - 1995 - After what had seemed. Retrospectacle - The Best Of Thomas Dolby Thomas Dolby to stream in hi-fi, or to download in True CD Quality on Qobuz. Solidworks Mold Tools. com. Find a Thomas Dolby - Retrospectacle (The Best Of Thomas Dolby) first pressing or reissue. Complete your Thomas Dolby collection. Shop Vinyl and CDs.
Vb Powerwrap 3 0bi here. 00:03:20 • • • • • • Tim Hunt, Engineer - Andy Partridge, Harmonica - Mike Hedges, Engineer - Thomas Dolby, Composer, Producer, Percussion, Vocals, Synthesizer, MainArtist, Noises - Kevin Armstrong, Guitar - Chris Stone, Engineer - Wally Brill, Engineer - Chris Birkett, Engineer - Justin Hildreth, Drums - Martin Levan, Engineer - Peter Wooliscroft, Engineer - Graham Carmichael, Engineer - Barry Kingston, Engineer - Mark Heyward-Chaplin, Bass - Les Chappell, Vocals Copyright: 1994 The Echo Label Limited, a BMG Company 1981 The Echo Label Limited, a BMG Company • 2 Urges. 00:03:36 • • • • • • Tim Hunt, Engineer - Mike Hedges, Engineer - Bruce Woolley, Vocals - Thomas Dolby, Composer, Producer, Piano, Vocals, Synthesizer, MainArtist - Kevin Armstrong, Guitar - Chris Stone, Engineer - Wally Brill, Engineer - Chris Birkett, Engineer - Justin Hildreth, Drums - Martin Levan, Engineer - Peter Wooliscroft, Engineer - Graham Carmichael, Engineer - Barry Kingston, Engineer - Mark Heyward-Chaplin, Bass Guitar, Bass Copyright: 1994 The Echo Label Limited, a BMG Company 1982 The Echo Label Limited, a BMG Company • 6 She Blinded Me With Science. After what had seemed like a promising start with 'She Blinded Me With Science' in 1983, Thomas Dolby only charted with two other singles in the U.S. Vob Player Windows Xp there. (though he had nine chart singles in his native U.K., 1981-1992). This 16-track compilation, embracing both his Capitol/EMI and Warner Bros.
Recordings, demonstrates that Dolby deserved better. His synthesizer-based songs are consistently catchy and clever, and especially notable are early songs like 'Urges' and 'Leipzig' that have not previously appeared on a U.S. 'One of Our Submarines,' Dolby's cover of Dan Hicks' 'I Scare Myself,' and 'Hyperactive!' All hold up well.
Some of the later (non-hit) material from the albums Aliens Ate My Buick and Astronauts & Heretics is less impressive; a better choice could have been made from those records. But for the most part, this is an efficient collection that justifies its name. ~ William Ruhlmann.