Aug 12, 2015 Get the Big Fish Games app to discover new games for your Android devices! Play free game downloads. Big Fish is the #1 place to find casual games! Safe & secure. Games for PC, Mac & Mobile. Helpful customer service! Play free game downloads. Big Fish is the #1 place to find casual games! Safe & secure. Games for PC, Mac & Mobile. Helpful customer service! Feb 25, 2016 A story of a little fish in the big ocean. You have to eat fish which are smaller than you and avoid fish bigger than you.
Running time 125 minutes Country United States Language English Budget $70 million Box office $122.9 million Big Fish is a 2003 American based on the 1998. The film was directed by and stars,,,, and. Other roles are performed by,,,, and among others.
Edward Bloom (Finney), a former traveling salesman in the Southern United States with a gift for, is now confined to his deathbed. Will (Crudup), his estranged son, attempts to mend their relationship as Bloom relates of his eventful life as a young adult (portrayed by McGregor in the flashback scenes). Screenwriter read a manuscript of the novel six months before it was published and convinced to acquire the rights. August began adapting the novel while producers negotiated with who planned to direct after finishing (2002). Spielberg considered for the role of Edward Bloom, but eventually dropped the project to focus on (2002). Tim Burton and took over after completing (2001) and brought Ewan McGregor and Albert Finney on board. The film's theme of reconciliation between a dying father and his son had special significance for Burton, as his father had died in 2000 and his mother in 2002, a month before he signed on to direct.
Big Fish was shot on location in in a series of fairy tale evoking the tone of a fantasy. The film received award nominations in multiple film categories, including four nominations, seven nominations from the, two nominations, and an and a nomination for 's original score.
' Big Fish is about what's real and what's fantastic, what's true and what's not true, what's partially true and how, in the end, it's all true.' Tim Burton The reconciliation of the father-son relationship between Edward and William is the key theme in Big Fish. Novelist Daniel Wallace's interest in the theme of the father-son relationship began with his own family. Wallace found the 'charming' character of Edward Bloom similar to his father, who used charm to keep his distance from other people. In the film, Will believes Edward has never been honest with him because Edward creates extravagant myths about his past to hide himself, using storytelling as an avoidance mechanism. Edward's stories are filled with characters (a witch, mermaid, giant, and werewolf) and places (the circus, small towns, the mythological city of Spectre), all of which are classic images and archetypes.
The motif propels both Edward's story and Will's attempt to get to the bottom of it. Wallace explains: 'The father's quest is to be a big fish in a big pond, and the son's quest is to see through his tall tales.' Screenwriter John August identified with Will's character and adapted it after himself. In college, August's father died, and like Will, August had attempted to get to know him before his death, but found it difficult. Like Will, August had studied journalism and was 28 years old.
In the film, Will says of Edward, 'I didn't see anything of myself in my father, and I don't think he saw anything of himself in me. Text Editor Program In Vb 6.0. We were like strangers who knew each other very well.' Will's description of his relationship with Edward closely resembled August's own relationship with his father. Burton also used the film to confront his thoughts and emotions concerning the death of his father in 2000: 'My father had been ill for a while.
I tried to get in touch with him, to have, like in this film, some sort of resolution, but it was impossible.' Religion and film scholar Kent L.
Brintnall observes how the father-son relationship resolves itself at the end of the film. As Edward dies, Will finally lets go of his anger and begins to understand his father for the first time: In a final gesture of love and comprehension, after a lifetime of despising his father's stories and his father as story-teller, Will finishes the story his father has begun, pulling together the themes, images and characters of his father's storied life to blend reality and fantasy in act of communion and care. By unselfishly releasing the anger he has held about his father's stories, Will gains the understanding that all we are our stories and that his father's stories gave him a reality and substance and a dimension that was as real, genuine, and deep as the day-to-day experiences that Will sought out. Will comes to understand, then, that his father—and the rest of us—are our stories and that the deeper reality of our lives may, in fact, not be our truest self.